How does a curatorial art project dealing with the ephemeral nature of performance address the social dynamics associated with the original events? How can documents be perceived not only as mnemonic vehicles of the past, but also as agents nurturing
John Deeney, ed. Writing Live: an Investigation of the Relationship Between Writing and Live ArtLondon: New Playwrights Trust, 1998. £10. ISBN 0-953-34910-1., New Theatre Quarterly
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